Distortion and Reversal

 

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Distortion: Individuals and teams can benefit
                  from this technique – 10-20 minutes

Most problems have clear dimensions. They might be spatial, numerical or time oriented. For example, if we wanted to improve a supermarket's checkouts, dimensions might include number of counters, number of staff, number of customers, size of checkout and times the checkout was open.

In this exercise, you will take a key dimension of your problem and distort it. Make it much bigger, or much smaller, than it currently is. In the checkout example, you might look at the implications of having one checkout or 1000. Having one customer or a million. Having checkouts the size of a matchbox or the size of a warehouse. Opening a checkout for one second or one year at a time. Don't try to cover everything — choose one dimension and stick with it.

When you have noted down the implications of the distortion, look back at the real world. For example, if you had chosen a matchbox checkout, you could use a direct output from the distortion — smaller checkouts just for baskets, making more space. Or you can look at an implication like having tiny staff. In the real world, tiny staff would mean lots of room behind the checkout. Is the space given to the employee getting in the way of giving good service? Could a change in space improve things? And so on.

With some problems, usually the very people-oriented, it is difficult to find an appropriate dimension. If so, try another technique. It is also possible that the dimension chosen doesn't work very well. Choose another, but make sure you have really examined the possibilities first — don't skip around just because the distortion seems uncomfortable; it is supposed to.

When this technique works well, it works very well, because the di­mension selected was a major restraint in your thinking. Resist the inclination to handle multiple distortions in a single group, but with multiple teams it is well worth parcelling out the distortions to get a wider range of suggestions.

Reversal: is the extreme case of Distortion
Teams and individuals can use this technique – 10-20 minutes

Here, instead of taking an aspect of the problem and distorting it, we turn the problem inside out to reverse actually what we are trying to do. For example, if the requirement were to improve the company's position in a published league table, reversal would be to think `what could we do to make our position in the league table worse.

Spend five minutes brainstorming ideas to actively negate your `how to' statement. Then look at the implications of the ideas you have generated. Worryingly often, these will be practices that are actually undertaken in your company. A classic example is the problem `how to improve communications within our company'.

Many of the suggestions for `how to make communications fail in our company' seem already to be underway in many large companies. One outcome, therefore, is to modify or stop these existing practices. Other deductions will be more indirect, looking at the impli­cations of the negative suggestions. For example, fitting a muzzle (to stop communications) may make you think of someone holding a mobile phone to their face.

Make sure that you are prepared to go beyond the obvious, both in the negative suggestions and how these are applied back to the real problem. It's easy to simply list the obvious positive ideas in reverse, then turn them around again. But you are looking for something more than the obvious when using creativity techniques.

This is not a good technique for new product development, but it is great for overcoming obstacles and other aspects of dealing with general problems.

With a group you can split the team into `bad guys', looking to make the proposition fail, and `good guys' looking to reverse the bad guys' ideas and convert them into something useful. This can be made into a challenge — try to find something so negative that the 'good guys' can't use it.

Creativity requires spending time "doing nothing" - workaholism guarantees its death

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